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The Creative Crone: Aging and the Poetry of May Sarton and Adrienne Rich, by Sylvia Henneberg
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Too often the elderly suffer “death by invisibility” long before their physical demise, but what can we learn from creative individuals when they grow old? This book examines the work of two major contemporary women poets to show how they confront aging in a deliberate and constructive way. Sylvia Henneberg reveals how May Sarton and Adrienne Rich have critically evaluated and embraced their roles as elder poets and “creative crones”—and in doing so offer a powerful resistance to age discrimination.
The Creative Crone highlights new dimensions in the works of both writers: one deeply engaged with aging but often overlooked by scholars, the other a prominent poet and feminist but not generally thought of in the context of aging. Henneberg shows how these writers offer radically different but richly complementary strategies for breaking the silence surrounding age. Rich provides an approach to aging so strongly intertwined with other political issues that its complexity may keep us from immediately identifying age as one of her chief concerns. On the other hand, Sarton’s direct treatment of aging sensitizes us to its importance and helps us see its significance in such writings as Rich’s. Meanwhile, Rich’s efforts to politicize age create stimulating contexts for Sarton’s work. Henneberg explores elements of these writers’ individual poems that develop themes of aging, including imagery and symbol, the construction of a persona, and the uses of rhythms to reinforce the themes. She also includes analyses of their fiction and nonfiction works and draws ideas from age studies by scholars such as Margaret Morganroth Gullette, Kathleen Woodward, and Thomas Cole.The lasting impression of these poets is that any evaluation of their writings—and any serious study of personal or political identity —will benefit from including a critique of aging. Together, Sarton and Rich establish a literary symbiosis that suggests strategies for reassessing and radicalizing our notions about aging, senescence, and literature. This new perspective on their work shows that creative and crone are far from mutually exclusive; considered in tandem, they renew the discourse on late-life creativity.- Sales Rank: #2029739 in Books
- Brand: Brand: University of Missouri
- Published on: 2010-05-05
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 1.00" w x 6.13" l, 1.10 pounds
- Binding: Hardcover
- 220 pages
- Used Book in Good Condition
Review
“A satisfying, mature, and major piece of scholarship. The comparisons and contrasts between the two poets are consistent and illuminating.”—Barbara Frey Waxman, author of To Live in the Center of the Moment: Literary Autobiographies of Aging
“If the author thought that the subject of aging and women was a marginalized field, she has just made it major. It’s an amazing reading of two women poets, for sure, but an even better reading of something that matters very much.”—Jacqueline Vaught Brogan, coeditor of Women Poets of the Americas: Toward a Pan-American Gathering
About the Author
Sylvia Henneberg is Associate Professor of English at Morehead State University in Kentucky.
Most helpful customer reviews
5 of 5 people found the following review helpful.
A choice addition to any community or college literary studies collection, highly recommended
By Midwest Book Review
The creative mind ages, but it's never dead until the body is. "The Creative Crone: Aging and the Poetry of May Sarton and Adrienne Rich" looks at the work of two poets who kept writing long into their senior years, providing a poignant insight into the mind of the elder woman and how age discrimination the plight of the elderly affects them, allowing readers to gain of understanding on the effects of age. The discussion found within is scholarly and fascinating, debating subjects such as death, being forgotten, and more. "The Creative Crone" is a choice addition to any community or college literary studies collection, highly recommended.
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