Jumat, 28 Februari 2014

? PDF Ebook A More Beautiful Question: The Spiritual in Poetry and Art, by Glenn Hughes

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A More Beautiful Question: The Spiritual in Poetry and Art, by Glenn Hughes

As more and more people in North America and Europe have distanced themselves from mainstream religious traditions over the past centuries, a “crisis of faith” has emerged and garnered much attention. But Glenn Hughes, author of A More Beautiful Question: The Spiritual in Poetry and Art, contends that despite the withering popularity of faith-based worldviews, our times do not evince a decline in spirituality. One need only consider the search for “alternative” religious symbolisms, as well as the growth of groups espousing fundamentalist religious viewpoints, to recognize that spiritual concerns remain a vibrant part of life in Western culture.            Hughes offers the idea that the modern “crisis of faith” is not a matter of vanishing spiritual concerns and energy but rather of their disorientation, even as they remain pervasive forces in human affairs. And because art is the most effective medium for spiritually evocation, it is our most significant touchstone for examining this spiritual disorientation, just as it remains a primary source of inspiration for spiritual experience. A More Beautiful Question is concerned with how art, and especially poetry, functions as a vehicle of spiritual expression in today’s modern cultures. The book considers the meeting points of art, poetry, religion, and philosophy, in part through examining the treatments of consciousness, transcendence, and art in the writings of twentieth-century philosophers Eric Voegelin and Bernard Lonergan. A major portion of A More Beautiful Question is devoted to detailed “case studies” of three influential modern poets: Gerard Manley Hopkins, Emily Dickinson, and T. S. Eliot. In these and its other chapters, the book examines the human need for artistic symbols that evoke the mystery of transcendence, the ways in which poetry and art illuminate the spiritual meanings of freedom, and the benefits of an individual’s loving study of great literature and art.A More Beautiful Question has a distinctive aim—to clarify the spiritual functions of art and poetry in relation to contemporary confusion about transcendent reality—and it meets that goal in a manner accessible by the layperson as well as the scholar. By examining how the best art and poetry address our need for spiritual orientation, this book makes a valuable contribution to the philosophies of art, literature, and religion, and brings deserved attention to the significance of the “spiritual” in the study of these disciplines.

  • Sales Rank: #3058676 in Books
  • Brand: Brand: University of Missouri
  • Published on: 2011-07-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .80" w x 6.13" l, 1.00 pounds
  • Binding: Hardcover
  • 184 pages
Features
  • Used Book in Good Condition

Review

“Hughes can, where need be, have recourse to best critics and secondary sources, showing the depth and breadth of his knowledge of the relevant scholarship. But his greatest skill is to weave together scholarship and analysis to encounter and engage the texts—the skill, given his subject matter, of a philosophical poet. The burden of his erudition is to probe beneath the words and symbols, beneath the surface of the texts, to explore the complexities of the human condition and the mystery of existence as revealed by the texts.”—Thomas McPartland, author of Lonergan and Historiography: The Epistemological Philosophy of History

About the Author
Glenn Hughes lives in San Antonio, Texas, where he is Professor of Philosophy at St. Mary’s University. He has written or edited six other books, including Transcendence and History:The Search for Ultimacy from Ancient Societies to Postmodernity (University of Missouri Press).

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10 of 10 people found the following review helpful.
Essential reading for literary critics and philosophers
By Brendan Purcell
I am spellbound at how 'lightly' Glenn Hughes leads the reader through such a wonderful metaphysical maze of some of the most difficult poetry in English. Perhaps because he's also a published poet as well as a philosopher, he combines both skills. I can't think when I've enjoyed reading a book in philosophy of literature more. Weaving Wordsworth's `Intimations of Immortality from Recollections of Early Childhood' into his reflections on childhood epiphanies, he indicates how our early childhood experiences have a rich imaginative depth in some ways equivalent to the overarching intuitions of myth. He points out how art can recover those intimations of transcendence in a world where they're continually being overlaid or downright assaulted by more pragmatic considerations. Effortlessly drawing on two rather different philosophers, Eric Voegelin and Bernard Lonergan, to my surprise he shows how their insights into art complement each other. Voegelin writes how the work of art somehow creates an image of the whole world (my own preferred example here would be the apparently limited `world' of Giorgio Morandi's still life paintings), while Lonergan explores how art frees us from the narrow requirements of mere survival, opening us out to the joy of experiencing colour, sound, movement, space, words, for their own sake. In this study, Hughes concentrates on poetry, given literary art's capacity to yield `the most nuanced and existentially precise articulations of the experiences, difficulties and insights involved in living out a conscious relationship to transcendent meaning.' (6) He quotes Ezra Pound on artists as `the antennae of the race,' and finds such antennae in three poets who are responding to some of the deepest questings of the human spirit in that crucial century that left the 19th century behind. The book launches into a careful but exuberant study of Gerard Manley Hopkins, Emily Dickinson and T. S. Eliot's Four Quartets. But it's far more than a critical reading of some of their texts. Given the difference in stance, particularly of the non-religiously affiliated Emily Dickinson and the other two poets, in fact Hughes is writing to readers who themselves have experienced the confusions and loss of light that can strangely be found clearly in Hopkins as much as Dickinson. In his reading, the spiritual sinewiness of Eliot is more than matched by the hope against hope courage of Dickinson. The last chapter, on `Art and Spiritual Growth' is an invitation to the reader to take her or his own journey of exploration, a journey lightened and lighted rather than weighed down by the active inner and outward imaginative explorations of self and history of his three authors. His quotation from E. E. Cummings on his experience of every true work of art explains the title of the book: `Always the beautiful answer who asks a more beautiful question.' Hughes' book for me asked that more beautiful question. His work came across to me as an indispensable exploration in applied aesthetics. It's essential reading for both literary critics and philosophers.

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Jumat, 21 Februari 2014

? Free Ebook Imagination and the Arts in C.S. Lewis: Journeying to Narnia and Other Worlds, by Peter J. Schakel

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Imagination and the Arts in C.S. Lewis: Journeying to Narnia and Other Worlds, by Peter J. Schakel

Imagination has long been regarded as central to C. S. Lewis's life and to his creative and critical works, but this is the first study to provide a thorough analysis of his theory of imagination, including the different ways he used the word and how those uses relate to each other. Peter Schakel begins by concentrating on the way reading or engaging with the other arts is an imaginative activity. He focuses on three books in which imagination is the central theme—Surprised by Joy, An Experiment in Criticism, and The Discarded Image—and shows the important role of imagination in Lewis's theory of education.

He then examines imagination and reading in Lewis's fiction, concentrating specifically on the Chronicles of Narnia, the most imaginative of his works. He looks at how the imaginative experience of reading the Chronicles is affected by the physical texture of the books, the illustrations, revisions of the texts, the order in which the books are read, and their narrative "voice," the "storyteller" who becomes almost a character in the stories.

Imagination and the Arts in C. S. Lewis also explores Lewis's ideas about imagination in the nonliterary arts. Although Lewis regarded engagement with the arts as essential to a well- rounded and satisfying life, critics of his work and even biographers have given little attention to this aspect of his life. Schakel reviews the place of music, dance, art, and architecture in Lewis's life, the ways in which he uses them as content in his poems and stories, and how he develops some of the deepest, most significant themes of his stories through them.

Schakel concludes by analyzing the uses and abuses of imagination. He looks first at "moral imagination." Although Lewis did not use this term, Schakel shows how Lewis developed the concept in That Hideous Strength and The Abolition of Man long before it became popularized in the 1980s and 1990s. While readers often concentrate on the Christian dimension of Lewis's works, equally or more important to him was their moral dimension.

Imagination and the Arts in C. S. Lewis will appeal to students and teachers of both children's literature and twentieth-century British writers. It will also be of value to readers who wish to compare Lewis's creations with more recent imaginative works such as the Harry Potter series.

  • Sales Rank: #3412414 in Books
  • Brand: Brand: University of Missouri
  • Published on: 2011-04-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .80" w x 6.13" l, .80 pounds
  • Binding: Paperback
  • 232 pages
Features
  • Used Book in Good Condition

About the Author

Peter J. Schakel is Peter C. and Emajean Cook Professor of English at Hope College in Holland, Michigan. He is the author, editor, or coeditor of numerous books, including four previous volumes on C. S. Lewis. 

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6 of 7 people found the following review helpful.
One of the best books on CSL!
By Extollager
This is an exceptionally good discussion of the topics indicated in the title and a fine book for readers who want to think about qualities that make so much of Lewis's writing appealing. Schakel's case for reading the Narnian books in their original publication order (i.e. starting with The Lion, the Witch and the Wardrobe) would convince CSL himself that the current marketing of the series as beginning with The Magician's Nephew is a mistake). His book will get many readers to look beyond Lewis to music and pictorial art that Lewis cared about. I would rank this with George Sayer's biography JACK as one of my two favorite texts on Lewis.

0 of 0 people found the following review helpful.
Five Stars
By Brian S.
Very interesting biographical perspective of the author of the Chronicles of Narnia.

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Selasa, 11 Februari 2014

> Ebook Download The Improbable First Century of Cosmopolitan Magazine, by James Landers

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Today, monthly issues of Cosmopolitan magazine scream out to readers from checkout counters and newsstands. With bright covers and bold, sexy headlines, this famous periodical targets young, single women aspiring to become the quintessential “Cosmo girl.” Cosmopolitan is known for its vivacious character and frank, explicit attitude toward sex, yet because of its reputation, many people don’t realize that the magazine has undergone many incarnations before its current one, including family literary magazine and muckraking investigative journal, and all are presented in The Improbable First Century of Cosmopolitan Magazine. The book boasts one particularly impressive contributor: Helen Gurley Brown herself, who rarely grants interviews but spoke and corresponded with James Landers to aid in his research.

 

            When launched in 1886, Cosmopolitan was a family literary magazine that published quality fiction, children’s stories, and homemaking tips. In 1889 it was rescued from bankruptcy by wealthy entrepreneur John Brisben Walker, who introduced illustrations and attracted writers such as Mark Twain, Willa Cather, and H. G. Wells. Then, when newspaper magnate William Randolph Hearst purchased Cosmopolitan in 1905, he turned it into a purveyor of exposé journalism to aid his personal political pursuits. But when Hearst abandoned those ambitions, he changed the magazine in the 1920s back to a fiction periodical featuring leading writers such as Theodore Dreiser, Sinclair Lewis, and William Somerset Maugham. His approach garnered success by the 1930s, but poor editing sunk Cosmo’s readership as decades went on. By the mid-1960s executives considered letting Cosmopolitan die, but Helen Gurley Brown, an ambitious and savvy businesswoman, submitted a plan for a dramatic editorial makeover. Gurley Brown took the helm and saved Cosmopolitan by publishing articles about topics other women’s magazines avoided. Twenty years later, when the magazine ended its first century, Cosmopolitan was the profit center of the Hearst Corporation and a culturally significant force in young women’s lives.

 

            The Improbable First Century of Cosmopolitan Magazine explores how Cosmopolitan survived three near-death experiences to become one of the most dynamic and successful magazines of the twentieth century. Landers uses a wealth of primary source materials to place this important magazine in the context of history and depict how it became the cultural touchstone it is today. This book will be of interest not only to modern Cosmo aficionadas but also to journalism students, news historians, and anyone interested in publishing.

  • Sales Rank: #2674304 in Books
  • Brand: Brand: University of Missouri
  • Published on: 2010-11-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x 1.20" w x 6.13" l, 1.64 pounds
  • Binding: Hardcover
  • 368 pages
Features
  • Used Book in Good Condition

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0 of 0 people found the following review helpful.
Five Stars
By frederic w shepard
Much interesting info on my wife's grandfather (not Hearst). Well written.

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